Peonies: Virgil's Peace; Sized Xuan Paper


Peonies; Xuan Paper

Peonies: Let There Be Peace; Xuan Paper

Blue Pine Retreat; Xuan Paper

Blossom Tree; Xuan Paper

Peonies; Sized Xuan Paper

Green Pine by Waterfall

33 x 35cm


Temple by Pine Trees

Lotus: Grace in Sadness

Blossom Tree, Chinese Painting

Blossom Tree

“See the great in the small “and “see the small in the perspective of the great”. 
– Lu Ch’ai (Wang Kai), 17th Century Ink Painter



Blue Poppy; Watercolour

Pohutukawa; Watercolour

Lotus; Watercolour

Fishy Rendezvous; Watercolour

Five Sparrows Gossiping

Clickety Crab

Blue Crab


Goldfish Rendezvous; Watercolour

“The first demand any work of any art makes upon us is surrender.
Look. Listen. Receive. Get yourself out of the way.”

– CS Lewis



Goldfish Delights in Red Blossoms

Koi Fish

“I begin with an idea and then it becomes something else.”
– Pablo Picasso, Painter


“Art enables us to find ourselves and lose ourselves at the same time.”
– Thomas Merton


Gong-bi & Shui-mo

Gong-bi or Meticulous, also known as Court-style Painting, is fine detailed brushwork, often highly coloured art.
Shui-mo or Xie-yi or Freehand, also known as Literati Painting, is free style brush and ink, very much interpretive brushwork and ink shading.

No matter of the subject or style, infusing the paintings with imagination and soul is the important thing.

Differences between Oriental & Western Art

To appreciate Chinese Art, open your mind and heart to the expressive interpretations, moving bird-eye perspective, simplified brush stroke techniques, and suggestive empty white spaces for your imagination.

Chinese paintings do not have a single perspective or viewpoint like western art.
Chinese painting is more concerned with water-based techniques.

“Among those who study painting,
some strive for an elaborate effect and others prefer the simple.
Neither complexity in itself nor simplicity is enough.
Some aim to be deft, others to be laboriously careful.
Neither dexterity nor conscientiousness is enough.
Some set great value on method, while others pride themselves on dispensing with method.
To be without method is deplorable, but to depend entirely on method is worse.”
– Lu Ch’ai (Wang Kai), Ink Painter, XVII-century